Masato KOBAYASHI
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Masato KOBAYASHI Works and Info
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- Born in Tokyo (1957). Represented Japan at the Sao Paulo Biennale in 1996. Masato Kobayashi was invited by Jan Hoet to Europe in 1997, and since then had been based in Ghent, Belgium, where he produced works in various places. Masato Kobayashi continues to explore the nature of painting by using a completely unique technique of taking paint directly from the tube and rubbing the color into the canvas while supporting it with one hand, and at the same time stretching it over the wooden frame to create the painting. Selected solo exhibitions: About Freedom, ShugoArts, Tokyo, 2023; Family of this Planet, ShugoArts, Tokyo, 2021; Artist and the Model, ShugoArts, Tokyo, 2019; ART TODAY 2012, Sezon Museum of Modern Art, Nagano, 2012; MASATO KOBAYASHI – The Paint of the Planet, Nariwa Museum, Okayama, 2009; Starry Paint, stars of outer space by pure painting, Tensta Konsthall, Spanga, Sweden, 2004; A Son of Painting Masato Kobayashi, S.M.A.K., Ghent, 2001; KOBAYASHI Masato, The Miyagi Museum of Art, 2000. Publications: The autobiographical novel trilogy, Paint of this Planet—Under the tree at Hitotsubashi University, ART DIVER, 2018; Paint of this Planet—Duifhuisstraat 52, ART DIVER, 2020
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About Freedom
Atsushi Yamamoto “Video Hut” / ShugoArts Show
List of works
Description of Atsushi YAMAMOTO's works
Press Release PDF
Atsushi YAMAMOTO
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Masaya CHIBA
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Masato KOBAYASHI
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“Family of this Planet” Installation movie, 2021, ShugoArts
Masato KOBAYASHI
Works and info
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Family of this Planet
List of works
Installation view
Installation movie
Press Release PDF
Masato KOBAYASHI
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Paint of this Planet
ShugoArts Online Show
Paint of this Planet — Duifhuisstraat 52, the second volume of the autobiographical novel trilogy written by Masato Kobayashi, was published in October, 2020. In the first volume of the trilogy, released in 2018, Masato Kobayashi's fateful encounter with "Sensei" (a high school teacher who later became Kobayashi's muse/spring of inspiration) leads him into the world of painting in this inspirational story during which the artist matures through his painting. In the second volume, the author leaves his studio in Japan and embarks on a dazzling pictorial adventure. The year is 1996, and in this volume, considered a masterpiece, the author’s youth is illustrated as he travels around the international art scene and establishes his original painting style in which he is stretching canvas and painting simultaneously.
On this occasion, ShugoArts presents a part of Kobayashi's theory of painting from the novel, as well as a special movie of his large-scale works Unnamed #6 and Unnamed #10, which were created in Ghent in 1998 but many have not had a chance to see them in Japan.
Special Movie [duration 5:18]
Garden of Life: Eight Contemporary Artists Venture into Nature
Tokyo Metropolitan Teien Art Museum
Masato KOBAYASHI
Works and bio
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“From here to beyond” Onomichi City Museum of Art
Onomichi City Museum of Art >>
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MOT Collection Part2 : Pleased to meet you. MUSEUM OF CONTEMPORARY ART TOKYO
Artist and the Model
Installation View >>
List of works >>
Masato KOBAYASHI
CV >>
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How to live #2 at Roppongi
Curation:Masaya CHIBA
Text:Jitsuzo TAKEDA
<Opening Party with four artists>
May 25 fri, from 6pm to 9pm
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List of Works>>
Installation view >>
Text by Takeda Jitsuzo>>
participate: Atsuhiko Misawa’s Animal House: House of Enigmas The Shoto Museum of Art
10 a.m. to 6 p.m., 8 p.m. on Fridays
(Admission until 30 minutes before closing time)
Closed
Tuesday, October 10; Monday, October 16; Monday, October 23; Monday, October 30; Monday, November 6; Monday, November 13; Monday, November 20
The Shoto Museum of Art website >>
Masato KOBAYASHI>>
Thrice Upon A Time Talk Show Masato KOBAYASHI + Jun AOKI Moderator : Kenjiro HOSAKA
Thrice Upon A Time
Thrice Upon a Time
Beautiful light fills us with visceral pleasure, but something that looks like shit can also give us pleasure.
'Cause as we all know, beauty isn't just about the external qualities of a thing or a person. A lot of times the fact that a certain quality is contained in something or someone that looks like shit makes it even more beautiful. That goes for Duchamp's urinal, Warhol, van Gogh, Caravaggio, and Murakami. Because art isn't about something being better or worse.
That's why there's such a fine line. My utopia is always right there next to the border. Bad paintings are made by outlaws! I think of the paintings in Love, More Awful! But More Beautiful, Because Painting Is All for Love as a family of the planet. Like a family, they live together in a jumble – they're hanging on the wall, they're resting on the floor, there are angels, skies, apples, nudes, and abstract paintings…fragments of stars…family…it's a family of paintings! It's a family of this planet on the border of beauty and shit. And there are some horses out there on the plain. Laughter.
Once upon a time, twice upon a time, thrice upon a time… there was a cowboy and a cowgirl.
Kobayashi Masato,
Tomonoura Studio, August 2016